Proper Maintenance Is Critical For New Lenses

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Duclos Lenses recently announced a now program that offers customers the ability to bring their equipment in anytime for what is essentially routine check-up and maintenance. Any lens purchased from Duclos Lenses is eligible for two years from the date of purchase at no additional cost to the customer. This is great for users who shoot in harsh climates or rough conditions since they can simply bring their lens in to Duclos Lenses after a shoot and have it cleaned up, back-focus checked and calibrate, and evaluated for any potential damage done during the shoot. It’s like having your own personal lens tech to inspect your gear before and/or after every shoot. Considering Duclos Lenses has been servicing lenses for over a decade and has over 100 years of combined motion picture lens service experience, this is just another reason why Duclos Lenses is the premiere destination for professional motion picture optics.

Here’s the details pulled from DuclosLenses.com

In an effort to show our customers just how much we enjoy and appreciate them, we are introducing a new 2-Year Service+ Maintainence Program included with the purchase of any new lens from Duclos Lenses. The program will offer a range of services to ensure your lenses continue working to the absolute best of their ability. Duclos Lenses is the premiere source for professional motion picture lenses thanks to our stringent quality control procedures applied to every single lens coming in and going out and that’s just where the Service Program begins… 

When you purchase a lens from Duclos Lenses, we’re so committed to ensuring you receive the absolute best customer service and experience possible, we include our 2-Year Service+ Maintenance Program at no additional cost. The program will last for two years from the invoice date, with no limit on frequency. The Service Program offers the following features:

  • Included with every new lens at no additional charge.
  • Complete Exterior Cleaning (includes dirt, debris, grime, tape gum, etc.).
  • Front & Rear Element Cleaning (remove foreign contaminants, assess potential surface damage).
  • Flange Depth & Infinity Focus Calibration (includes check and calibration of back focus and infinity focus).
  • Full Diagnostic Check-Up (complete eval of operating functions, report of any additional recommendations).

With the 2-Year Service Program from Duclos Lenses, you can have your lenses professionally checked and calibrated before every project to ensure they are performing to the best of their ability. The Service Program also allows customers to bring their lenses in after a project to make sure everything is still operating properly and to diagnose any potential damage, a real lifesaver for insurance records. The Service Program is layed out specifically to help our customers maintain their equipment throughout their career. We strongly believe that lenses are one of the most important investments a cinematographer can make. We want to make sure that you and your lenses are taken care of. 

For additional details, contact a Duclos Lenses representative and see how Duclos Lenses can help you.

NAB 2013 Rolling Update

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DSCF7048NAB 2013 is officially underway. Aubrey and I have begun scouring the show floor for interesting new bits of information pertaining to cinematography and more specifically, lenses. I’ll be dividing this post by manufacturer and will continue to update throughout the show. If you have any tips, please feel free to email them to me and I’ll go check out the details and see if I can get specific details from manufacturer reps. Enjoy! Continue reading »

Canon Fills Out Nicely With a New 35mm Cine Prime

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20130407-105035.jpgCanon wiggled their way into the professional cinema lens market with a few zooms and a trio of primes. Shortly after their initial line-up they added a wide and telephoto prime option to cap the end of their prime lens family. The line-up included a 14mm, 24mm, 50mm, 85mm, and 135mm. Not a bad set of primes, but the gap left between the 24mm and 50mm was painfully obvious. This week Canon has announced the development of a 35mm CN-E prime lens to add to their offering. Continue reading »

TLS Cooke Speed Panchro Re-housing Project

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OLYMPUS DIGITAL CAMERA

The complete line-up including the 18mm, 25mm, 32mm, 40mm, 50mm, 75mm and 100mm.

The gentlemen at True Lens Service (TLS) in the UK displayed a fully functional prototype of their 18mm Cooke Speed Panchro at IBC last year which garnered a respectable amount of interest. But what about the rest of the set? If you’re not familiar with the Cooke Speed Panchros, they’re basically the standard by which other prime lenses were measured between the 1930′s and 1950′s. George Eastman estimated that approximately 90 percent of 16mm films shot during that time in America were using Cooke Speed Panchros. There have been several revisions of the Panchros in Series II and III which can be a bit confusing, kind of like Cooke as a company in general. Surely you’ve seen “Taylor, Hobson” “Taylor, Taylor & Hobson” “Rank, Taylor & Hobson” or just plain “Cooke”. They’re all the same lineage with an extremely rich history in photographic optics and industrial revolution. Cooke was a true innovator in their infancy and continues to produce motion picture optics that push the boundaries of quality. Enough with the history… The Speed Panchros are relevant here because they are notorious for producing beautiful images that are simply not duplicated in post production. They have a character to them that defined the “Cooke Look” and gave thousands of films a warm romantic feel that cinematographers, directors, and colorists strive to reproduce with lackluster results (most of the time).

Continue reading »

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